There's also Tony Allen, whose unmistakable drums provide a foundation no sample could every equal. And sure, there are synths, distorted electric piano lines, and electric guitars that often snake in and out of the mix. Here, she's working with a new label, and that label's owner, Laurent Bizot, produced her in way that certainly felt new to her. ![]() In the eight years since her last release, she's continued touring, running a hotel in Bamako, branding her name on rice as well as automobiles, and all the while demonstrating the power women have in place where female circumcision is still performed and education isn't necessarily a priority. With grooves infectious enough to rattle a pop music skeptic, she sails over rhythms and melodies that, no matter how dressed up in European production sheen, never truly betray her Wassoulou-region roots. 27 years after her debut, Moussolou, an album straddling tradition and modernity that featured, for the time, daring lyrics denouncing polygamy and instead calling for female empowerment, made her an instant star in Mali and elsewhere, Oumou Sangaré's sixth LP, Mogoya, continues that conversation.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |